After the meeting with the group, early morning talk with Bernice, Douglas Gorden's Jonas Mekas (?) the film maker, black screen with audio background, fragmented pieces like a diary, doesn't quite match with the audio and images. The imaginary space that exists inbetween reminded me of the exhibition going on at Turner Margate, how those lines of words of description can create this imagery in individual's mind. 

'anger room' workhshop . 

being radical about the forms of the essay writing , it can be story narrative , or i thought baout if i could by applying the encoded (eg. morse code .. or the simplified code to create its own meaning and rule to the title , and the riddle of the answer for the title is in the article , through the whole essay is to sort the myth out , a way through some questions .. 

'on not knowing - how artists think'  

(P62) 'On being overt - secrecy and covert culture' 

'office of experiments' 

Five Pieces for Projection, Victor Burgin. 

(P3) A note on Occasio :

Freud spoke of the contribution made to the formation of a dream by the 'day's residues' - memor traces of events and thoughts from the day preceding the dream which are opportunistically seized by the 'dream-work' for the expression of unconscious desires.  Occasio is a waking product of such resides structured in accordance with the looping and repetitive movements characteristic of daydreams. 

(P23) A note on Mirror Lake:

...draws upon recollections, notes and photographs from that journey and that stay. The work comprises three sections of intertitles together with photographic panoramas, 3D-modelled scenes and a three-second clip from Andrei Tarkovsky's film of 1975, Mirror.

Thinking Is Form. The Drawings of Joseph Beuys.  

seminal artist ? of our century . notorious artist of the nation

... John Cage - whose interests and influence embraced intersecting fields including metaphysics, the arts, the environment, or een politics - the dilemma posed by the loss of that artist, as the living centre of a complex body of ideas, actions, and images, is to find ways in which to understand the works of art that remain as containing and expressing that life.

... thinking is form, express Beuys's conception of the processes of drawing and making sculpture as profoundly akin to thought ...

(P21) A single rose in a graduated cylinder - "a rose for direct democracy" - stood stop an office table throughout the exhibition (fig.6 We can't do it without roses). The simple image captured the essence of Beuys's philosophy: the need to unite spirit and science, love and knowledge. The rose also symbolized Beuys's idea of revolution: a gradual, organic blossoming from within.

(P37) the Ulysses sketchbook 

encyclopedic view of the artist's formal and thematic vocabulary. The invention of language was again on Beuys's mind ... 

(images taken on phone)

On not knowing - how artists think:

(P8)

'In a language you don't understand'  Elizabeth Fisher

the Socratic paradox embodes 'not knowing' at the root of Western metaphysical thought.

Or as the writer Donald Barthelme writes in his now famous 1987 essay, "Not Knowing": "The not knowing is crucial to art, is what permits to be made. [...] without the possibility of having the mind move in unanticipated directions, there would be no invention." 

Gary Peters, in his essay " Ahead of Yes and No: Heidegger on Art and Not Knowing": [...] 

(P10)

Rebecca Fortnum's research has focused on the way artists use language, and in particularly the proliferation of words to describe or accompany artists' work. 

Rosalind Krauss, "are beyond, or beneath, speech." ....... or techne 

As Simon Sheikh writes, "thinking is, after all, not equivalent to knowledge. [...] lines of flight and utopian questionings". 

(P12) 

Gustav Metzger

Atkinson

(P16)

'Wonder, Beginning Again, And Letting Be'

"We're unknown of ourselves, we knowers." (Nietzsche)

Plato 'Apology'